本片展示了加沙四名年轻人的生活，他们试图在以色列-哈马斯战争中幸存下来，因为他们希望停火——这是对战区生活的生动而坚定的看法。以色列不允许外国记者在加沙独立报道。为了制作这部电影，两名驻伦敦的制片人在加沙的地面上远程指导了两名摄影师，历时九个月，他们进入了外国媒体无法到达的关键地点。这部戏剧性的纪录片为加沙人道主义“安全区”内的生活提供了新的视角，展示了持续空袭的日常生活，以及在唯一一家正常运作的永久医院阿克萨为让人们活着所做的努力。

After being ghosted by a romantic partner during a trip to Bangkok, the artist situates a contemporary act within a timeless SouthEast Asian cultural gesture, transforming personal heartbreak into a surreal exploration of ghosthood while reimagining its embodiment through ten playful yet haunting guidelines. Shifting between satire and introspection, the film contemplates the fragility of relationships and the futility and opacity of communication in the hyper-connected digital age.

After being ghosted by a romantic partner during a trip to Bangkok, the artist situates a contemporary act within a timeless SouthEast Asian cultural gesture, transforming personal heartbreak into a surreal exploration of ghosthood while reimagining its embodiment through ten playful yet haunting guidelines. Shifting between satire and introspection, the film contemplates the fragility of relationships and the futility and opacity of communication in the hyper-connected digital age.

本片导演以一种难能可贵的幽默之情戏剧化的重现了当年南斯拉夫分崩离析的最初原因和经过, 以夸张的人物造型和超现实的镜头角度极尽挖苦讽刺调侃之能事, 将当年政客的丑陋虚伪, 军人的蛮横冷血刻画得相当戏谑, 让人们在笑声中又感觉到一丝辛酸和苦涩. 实属难得的东欧黑色喜剧佳作. A MUST-SEE! 　　Although being one of the first movies to take humoristic approach towards violent break-up of Yugoslavia, this motion picture is partly based on real events that took place in September of 1991. Few months after Croatia seceded from Yugoslavia, Federal military installations are still present with previously recruited Croatian boys trapped inside. One such installation is a garrison on a small Dalmatian island, commanded by Major Aleksa Milosavljevic. Besieged by local militia, Major Aleksa threatens to blow up ammunition depots with half an island in case of any hostile action. During the stalemate, art historian Blaz Gajski comes from Zagreb in order to rescue his son from the barracks. 　　In the beginning of 1991, the Yugoslav National Army, which does not acknowledge Croatia's independence, is still holding the military barracks throughout Croatia. Blaz Gajski travels to an island in order to retrieve his son from the barracks situated on this island. The atmosphere on the island is intense. The local government has besieged the barracks, and local people have organized a festival in front of it. With their singing and recitals, they plan to force major Aleksa and his soldiers to surrender. But, Aleksa has planted explosives in the barracks and threatens to blow up the island.

本片导演以一种难能可贵的幽默之情戏剧化的重现了当年南斯拉夫分崩离析的最初原因和经过, 以夸张的人物造型和超现实的镜头角度极尽挖苦讽刺调侃之能事, 将当年政客的丑陋虚伪, 军人的蛮横冷血刻画得相当戏谑, 让人们在笑声中又感觉到一丝辛酸和苦涩. 实属难得的东欧黑色喜剧佳作. A MUST-SEE! 　　Although being one of the first movies to take humoristic approach towards violent break-up of Yugoslavia, this motion picture is partly based on real events that took place in September of 1991. Few months after Croatia seceded from Yugoslavia, Federal military installations are still present with previously recruited Croatian boys trapped inside. One such installation is a garrison on a small Dalmatian island, commanded by Major Aleksa Milosavljevic. Besieged by local militia, Major Aleksa threatens to blow up ammunition depots with half an island in case of any hostile action. During the stalemate, art historian Blaz Gajski comes from Zagreb in order to rescue his son from the barracks. 　　In the beginning of 1991, the Yugoslav National Army, which does not acknowledge Croatia's independence, is still holding the military barracks throughout Croatia. Blaz Gajski travels to an island in order to retrieve his son from the barracks situated on this island. The atmosphere on the island is intense. The local government has besieged the barracks, and local people have organized a festival in front of it. With their singing and recitals, they plan to force major Aleksa and his soldiers to surrender. But, Aleksa has planted explosives in the barracks and threatens to blow up the island.

《饱和》 　　Saturation 　　花的饱和不是果实 , 云的饱和不是天空 　　风的饱和不是海啸 , 雪的饱和不是沙漠 　　梦的饱和不是清醒 , 爱的饱和不是快乐 　　你的饱和不是苍老 , 我的饱和不是自由 　　. 　　导演、编剧、摄影：任航 　　Directed and story by Renhang 　　演员：张馨怡，魏通，陈斌 　　Casting: Zhang Xinyi, Wei Tong, Chen Bin 　　配乐：岳璇 　　Music by Yuexuan 　　剪辑：徐远卓 　　Film edited by Xu Yuanzhuo 　　海报设计 王佐佐 　　· 　　电影原声：http://music.douban.com/subject/4907539/ 　　.

《饱和》 　　Saturation 　　花的饱和不是果实 , 云的饱和不是天空 　　风的饱和不是海啸 , 雪的饱和不是沙漠 　　梦的饱和不是清醒 , 爱的饱和不是快乐 　　你的饱和不是苍老 , 我的饱和不是自由 　　. 　　导演、编剧、摄影：任航 　　Directed and story by Renhang 　　演员：张馨怡，魏通，陈斌 　　Casting: Zhang Xinyi, Wei Tong, Chen Bin 　　配乐：岳璇 　　Music by Yuexuan 　　剪辑：徐远卓 　　Film edited by Xu Yuanzhuo 　　海报设计 王佐佐 　　· 　　电影原声：http://music.douban.com/subject/4907539/ 　　.

当今时代，信息学与人工智能的普及，已逐渐成为中小学生的必修科目。为响应和落实《关于大力加强中小学线上教育教学资源建设与应用的意见》等文件的相关号召，中央广播电视总台影视剧纪录片中心推出科学纪录片《如何找到图灵》，以轻松诙谐，风趣幽默的语言，讲述了信息学的历史脉络和最新发展成果，力图激发青少年观众对信息科学的兴趣，普及信息学与人工智能知识。 　　《如何找到图灵》共六集，每集25分钟，第一集主要讲述语言和文字的发明过程以及对人类文明的影响；第二集讲述造纸和印刷术，对信息传播的广度和深度迅速扩散；第三集则讲述电报、电话和无线电的发明使信息开始以光速在全球纵横；第四集表现了电影电视的出现，令信息传递立体、多维度、呈几何量级增长；第五集和第六集则分别讲述计算机的发明故事和人工智能时代的来临。每集都以轻松幽默的方式，把枯燥的历史转化成便于理解的故事。 　　《如何找到图灵》是“科学家很忙”系列IP的第六部作品，该片延续了“科学家很忙”系列IP的一贯风格。自从首部作品——讲述化学知识的《门捷列夫很忙》上线以来，该系列陆续推出了《我的牛顿教练》《了不起的冬天》《被数学选中的人》《超级巴斯德》《聊个“天”》等作品，内容涵盖数、理、化、生物、天文等重要学科，逐渐成为深受学生观众喜爱的科普系列IP。 　　出品：中央广播电视总台影视剧纪录片中心 　　制作：中央新影集团北京科影发现纪实传媒